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The Harlem Stride Style, is best known for being a unique form of playing piano. This unfamiliar form initially began during the Harlem Renaissance. This tool established many differences between the higher class and those classed below in the black community. The roman style of  jazz bands made of mainly brass instruments were seen to be a portrayal of the South. Where as the piano is known to be an instrument primarily used by the rich. With having such a different distinction to the current genre, the upper class African Americans were now considered to have the access they needed to the genre of jazz. Such fame took off and expanded through the entire United States. As with all performers having access to such innovation was vitally important for performers. Musicians during this period showed great skill and didn’t at all mind competition. Many African American musicians were looked upon as having paved the way for our next generation of musicians.  This was a time seen as when the African American unique style was seen as more interesting by far more americans that stretched far beyond blacks. Unfortuniatly, this was also a time that created opportunity for musicians to be exploited. Some composers were seen to use written context such as poems that had been written by other black poets in their songs. This happened along while the foundational context of the black melodies, and harmonies remained. They incorporated styles such as blues and jazz into their performances. African Americans began joining with artists in the traditional lyrical composition, which had long been famous among white audiences.  Even while including the most famous African-American musicians during that time period, many were still taken by the idea of the “New Negro”.  Through embarking upon the idea of the “New Negro” the portrayal of African-Americans in American art music changed from a stereotype to a depiction of people of African descent as significant contributors to the American cultural landscape. As Harlem Renaissance moved forward completely, jazz emerged into the “people’s” music. The Harlem Renaissance music meant more than just music, it was seen as a way of life. It touched all the African American creative arts. While its participants were determined to display the African American background and believed in racial pride and equality, they shared no foundation alikeness. This movement was unique and a large number of standard publishers and experts took African American music seriously, African American music and its composers attracted significant consideration from the nation at large.

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